click for a free download of Lang’s most recent choral work,
when we were children — a setting of a text from Saint Paul

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passion has quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world…

A Haunting Tale, Perfect for Christmas
The Crossing in ‘The Little Match Girl Passion,’ at the Met

Tina Fineberg for The New York Times

Members of the Crossing, a choir of 24, at the Metropolitan Museum.

By ANTHONY TOMMASINI Published: December 24, 2012

At holiday time, the Metropolitan Museum of Art draws countless visitors to its Medieval Sculpture Garden to see the splendidChristmas tree and 18th-century Neapolitan crèche…

Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.

Historically, though, opera tended to avoid confronting the technological head-on…

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passionhas quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world.

This season over 50 performances of the little match girl passion are being given by ensembles throughout North America, Europe and Australia, including the return of Donald Nally’s The Crossing to New York City’s Metropolitan Museum of Art…