I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

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In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

On Monday April 8 — appropriately, the 2024 Solar Eclipse — The Tallis Scholars give the New York premiere of David Lang’s sun-centered at Carnegie Hall/Zankel Hall. Commissioned for the Tallis Scholars by Cal Performances, Carnegie Hall Corporation, Hopkins Center, John F. Kennedy Center for the Performing Arts, Stanford Live, Virginia Tech and Concertgebouw Bruges (Belgium), the work is a meditation on humanity’s predilection for disbelief…