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Univeristy of Windsor Wind Ensmble

By Galen H. Brown

On November 3rd, I sat down with David Lang at a cafe in Downtown Manhattan. I recorded the interview (on my iPod) intending to transcribe it, but the audio, while still marred by a lot of background noise, is actually listenable. (…)

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For the past several years, classical music composers have gathered to share their more eclectic scores at the ‘Bang on a Can’ festival in North Adams, Mass. Jeffrey Brown explores the origins of the event.

Watch the interview here

Imagine that you’re a composer. Imagine getting this commission: ”Please write us a song that will allow family members to face the death of a loved one…” Well, composer David Lang had to do just that when a hospital in Garches, France, asked him to write music for their morgue, or ”Salle Des Departs.”

What do you do? What should death sound like?

Producer Jocelyn Gonzales brings us this piece about David Lang and his commission for the ”Salle Des Departs.”

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Listen to an interview with Paul Lazar.

David describes the epiphany he had at nine years old that lead to his life as a composer. He and Paul have a fun, freewheeling conversation amidst excerpts of David’s music, with a little Steve Reich thrown in as well.

http://www.bboxradio.com/archive/talk-to-paulie/1202-talk-to-paulie.html

David Lang visits the WNYC studio for this edition of New Sounds. Featured are his Pultizer Prize-winning piece ”the little match girl passion,” and other recent recordings.

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By Molly Sheridan

”I wanted to tell a story,” writes David Lang, introducing the new recording (just out on Harmonia Mundi) of his 2008 Pulitzer-Prize winner the little match girl passion. Such a simple and powerful desire; such a simple and powerful story to tell. (…)

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