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University of Hartford

David Lang has been appointed as holder of the Richard and Barbara Debs Composer’s Chair for Carnegie Hall’s 2013–2014 season. Full details about the concert activities associated with his residency will be shared in late-January as part of Carnegie Hall’s full 2013–2014 season announcement. But we can reveal that a key element of his season-long appointment includes a special collaborative workshop in November 2013, offering commissioning opportunities for composers and chamber ensembles.

Creating New Music will invite several young composers and chamber ensembles to work together on the creation and performance of new works specially commissioned by Carnegie Hall…

On October 13 the Nederlands Kamerkoor premieres the writings at the Muziekgebouw in Amsterdam. They perform the work in 5 additional Dutch cities through October 24 — click here for more details.

the writings — co-commissioned by Carnegie Hall for Paul Hillier and Theatre of Voices — combines some old and some new works into an hour-long piece:

·· again (after ecclesiastes)
·· if I am silent
·· for love is strong
·· where you go
·· solitary

You can click here to see the full score…

As part of Nico Muhly’s A Scream and an Outrage festival, The Barbican Centre features two premieres by David Lang.

On May 10, So Percussion and the BBC Symphony Orchestra, with conductor Jayce Ogren, give the world premiere of Lang’s concerto for percussion quartet and orchestra, man made. Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic…

Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.

Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.

“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…

Click to read the preview in

For six consecutive nights — October 3-8, 2018 — 1,000 singers from across New York City come together on the High Line (NYC’s mile-long elevated linear park) for the world premiere of the mile-long opera — conceived by architects Diller Scofidio + Renfro and David Lang, with music by Lang, text by Anne Carson and Claudia Rankine, and staging by directors Elizabeth Diller and Lynsey Peisinger…