works

love fail (2012) 60'

Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)

SSAA playing simple percussion instruments

love fail was co-commissioned by The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Secrest Artists Series at Wake Forest University, and Hancher Performances at the University of Iowa. Movement 4, 'the wood and the vine', was commissioned by The Newman Center for the Performing Arts at University of Denver, The University of California at Riverside, and the Santa Fe Concert Association in Santa FE, NM. Movement 10, 'I live in pain', in a different version, was originally written for “TheCrossing,” Donald Nally, conductor.

Program Note Libretto Video Recordings rent music score preview More Info

he was and she was

break #1 (three years)

dureth

a different man

the wood and the vine

right and wrong

David Lang curates New Music Dublin festival

March 6 and 7, David Lang curates the 2015 New Music Dublin festival What?…Wow: David Lang’s Festival of Music.

Lang’s festival spans six concerts over two days including the Irish premiere of his man made, performed by the RTÉ National Symphony Orchestra with New York-based quartet So Percussion; the Irish premiere of Julia Wolfe’s Appalachia-inspired Steel Hammer, performed by the Bang on a Can All-Stars with Norwegian vocal ensemble Trio Mediaeval; and the world premiere of Michael Gordon‘s new work for the Dublin Guitar Quartet…

news

Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

By David Lang
http://www.themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…

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