In October 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion at Carnegie Hall. People in the audience that night knew they had heard something special. But this special? Only a few months later the piece won the Pulitzer Prize, then the recording on Harmonia Mundi won a Grammy, and the piece has gone on to become a hit around the world.

Carnegie Hall and Stanford Lively Arts bring back Theatre of Voices and the little match girl passion, along with the premiere of a major new work they have commissioned just for the occasion…

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

Click to purchase the recording

In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

David Lang is the composer-in-residence at Rotterdam’s de Doelen center, with 11 concerts featuring Lang’s music throughout the 2014/15 season:

Percussion HeavenResidentie Orchestra & So Percussion Sunday, November 30, 2014 at 20.15 VocaalLabthe little match girl passion Wednesday, December 17, 2014 at 20:30 Ensemble KlangKlang, Dance, Bang, Can Monday January 12, 2015 at 20.15 the whisper operaInternational Contemporary Ensemble, New York Monday, February 9, 2015 at 19:00 the whisper operaInternational Contemporary Ensemble, New York Monday, February 9, 2015 at 22:00 the whisper OperaInternational Contemporary Ensemble, New York Tuesday, February 10, 2015 at 19:00 the whisper OperaInternational Contemporary Ensemble, New York Tuesday, February 10, 2015 at 22:00 Ralph van RaatZappa’s Black Page Sunday, May 3, 2015 at 20:15 Anonymous4David Lang – love fail Tuesday, May 26, 2015 at 20:30 Anonymous4David Lang – love fail Wednesday, May 27, 2015 at 20:30 DoelenEnsembleDavid Lang – death speaks Friday, May 29, 2015 at 22:00

DAVID LANG first heard Wagner’s “Tristan und Isolde” at the San Francisco Opera in 1974, as an undergraduate student and aspiring composer. This was the first opera ticket — standing room — that he had paid for with his own money, and he arrived well prepared, with a copy of the score and a flashlight to study it by.

“It was a really big deal for me,” Mr. Lang, now 55, said recently, sitting on a sofa in his light-flooded SoHo loft while two parakeets called noisily for attention from another room…

Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.

Historically, though, opera tended to avoid confronting the technological head-on…

Musical America, now in its third century as the indispensable resource for the performing arts, announced the winners of the annual Musical America Awards, recognizing artistic excellence and achievement in the arts.

The announcement coincides with the publication of the 2013 Musical America International Directory of the Performing Arts, which, in addition to its comprehensive industry listings, pays homage to each of these artists in its editorial pages.

The annual Musical America Awards, sponsored by Deutsche Grammophon will be presented in a special ceremony at Lincoln Center on Thursday, December 6…

David Lang has been appointed as holder of the Richard and Barbara Debs Composer’s Chair for Carnegie Hall’s 2013–2014 season. Full details about the concert activities associated with his residency will be shared in late-January as part of Carnegie Hall’s full 2013–2014 season announcement. But we can reveal that a key element of his season-long appointment includes a special collaborative workshop in November 2013, offering commissioning opportunities for composers and chamber ensembles.

Creating New Music will invite several young composers and chamber ensembles to work together on the creation and performance of new works specially commissioned by Carnegie Hall…