On Saturday July 14 at 8pm at the World Financial Center Plaza, Lang’s hour-long, slowly-evolving work for strings, darker, is the starting point for a live re-imagination by Oneohtrix Point Never (Daniel Lopatin), who will real time loop and electronically process the live string sound of A Far Cry Orchestra back over and on to themselves.

Lopatin will also present his own work with selections from of his critically acclaimed albums (Returnal and Replica) specially arranged for A Far Cry Orchestra…

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…

I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…