Search Results for:
Liminal Space Contemporary Ensemble

pain changes from David Lang’s ‘death speaks’ from Red Poppy Music on Vimeo.

David’s video for “pain changes” from death speaks premieres today on stereogum.com. Additionally, death speaks is released today in limited edition vinyl.

Click here to purchase your copy!

Here is an interview about the video with David, conducted by Shara Worden:

SHARA WORDEN: So David, I’m writing this to you on Halloween…

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passionhas quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world.

This season over 50 performances of the little match girl passion are being given by ensembles throughout North America, Europe and Australia, including the return of Donald Nally’s The Crossing to New York City’s Metropolitan Museum of Art…

From September 19-21, David Lang is the composer-in-residence at the Carlsbad Music Festival, with his music being featured throughout the festival, including the US premiere of his choral work when we were children, performed by Sacra/Profana.

The festival also features the new string orchestra, Renga, conducted and organized by Steve Schick, in a performance of darker…

Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…

just (after song of songs)

Now featured on the international bestselling album I See You by British band The xx.

Listen to The xx here

Listen to Lang’s original work here

See the UK premiere at the Royal College of Music

Perform just (after song of songs) with your ensemble!

I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…

Click to read the preview in

For six consecutive nights — October 3-8, 2018 — 1,000 singers from across New York City come together on the High Line (NYC’s mile-long elevated linear park) for the world premiere of the mile-long opera — conceived by architects Diller Scofidio + Renfro and David Lang, with music by Lang, text by Anne Carson and Claudia Rankine, and staging by directors Elizabeth Diller and Lynsey Peisinger…

David Lang’s true pearl: an opera in five tapestries (with libretto by Sybil Kempson), is inspired by Isabella Stewart Gardner’s sixteenth-century tapestries that tell the story of the first king of Persia, Cyrus the Great. The five-part “in-ear opera” is a private experience, available only through headphones in the Museum’s Tapestry Room. The “stage set” for each scene is an individual tapestry from the Cyrus series, and listeners are immediately immersed into tales of empire building and passion…