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David Becker
love fail premieres at Yale
Lang’s newest work, love fail, premieres June 29 at the New Haven International Festival of Arts and Ideas. Performed by the legendary vocal ensemble Anonymous 4, love fail is an evening-length work that weaves together snippets of medieval courtly love narratives, short stories by MacArthur Fellow Lydia Davis, scraps from the libretto of Wagner’s opera Tristan and Isolde, and text by Lang himself.
Out of these sources, Lang has conjured a single story, in which two unnamed lovers meet each other, love each other, and lose each other—not necessarily in that order…
continue readingOneohtrix Point Never remixes ‘darker’ at River to River festival
On Saturday July 14 at 8pm at the World Financial Center Plaza, Lang’s hour-long, slowly-evolving work for strings, darker, is the starting point for a live re-imagination by Oneohtrix Point Never (Daniel Lopatin), who will real time loop and electronically process the live string sound of A Far Cry Orchestra back over and on to themselves.
Lopatin will also present his own work with selections from of his critically acclaimed albums (Returnal and Replica) specially arranged for A Far Cry Orchestra…
continue reading‘death speaks’ on both NPR’s Top 50 Albums of the Year and Top 10 Classical Albums
watch Gustavo Dudamel, So Percussion and the LA Philharmonic rehearse ‘man made’!
I have worked with So Percussion for a very long time now and I know them really well. When I got the opportunity to write a concerto for them I wanted to make it specifically for them, for the things that they have been concentrating on for the past few years. The are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?…
continue reading‘the loser’ New York Times review
“…the score is a model of how music can animate words. The text is set with impressive clarity, and Mr. Gilfry sings every phrase with crisp diction and dramatic point, delivering phrases with virile energy, sudden bluster, or, during vulnerable moments, an aching confusion that takes you by surprise.”
— Anthony Tommasini, The New York Times
‘just (after song of songs)’ on The xx ‘Lips’
Now featured on the international bestselling album I See You by British band The xx.
Listen to Lang’s original work here
See the UK premiere at the Royal College of Music
Perform just (after song of songs) with your ensemble!
‘prisoner of the state’ European premieres!
Elkhanah Pulitzer, director Cast:
Claron McFadden — the assistant
Davone Tines — the jailer
Alan Oke — the governor
Michael Wilmering — the prisoner (in Bochum, Rotterdam, and Bruges) Jarrett Ott — the prisoner (in Malmö and Barcelona)
David Lang’s prisoner of the state—co-commissioned by the New York Philharmonic, De Doelen, Barbican Centre, L’Auditori, Bochumer Symphoniker, Concertgebouw Bruges and Malmö Opera – premiered in June 2019 with the New York Philharmonic, conducted by Jaap van Zweden, and received its British premiere in January 2020 at the Barbican Centre in London with BBC Symphony Orchestra, BBC Singers and conductor Ilan Volkov…
continue reading‘the little match girl passion’ new recording
Since its premiere by Paul Hillier and Theatre of Voices at Carnegie Hall in 2007, David Lang’s the little match girl passion has been performed close to 600 times in over 40 countries…
continue readingTallis Scholars perform ‘sun-centered’ at Carnegie Hall
— The New York Times
On Monday April 8 — appropriately, the 2024 Solar Eclipse — The Tallis Scholars give the New York premiere of David Lang’s sun-centered at Carnegie Hall/Zankel Hall. Commissioned for the Tallis Scholars by Cal Performances, Carnegie Hall Corporation, Hopkins Center, John F. Kennedy Center for the Performing Arts, Stanford Live, Virginia Tech and Concertgebouw Bruges (Belgium), the work is a meditation on humanity’s predilection for disbelief…
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