I want to begin this speech with a little aphorism translated from the Hebrew: ”Say little, and do much.” This is from an early book of the Talmud called Sayings of the Fathers. I wish I could say that I learned it from my own Hebrew studies, but I
can’t. I learned it from Steve Reich. This little phrase — say little and do much — is the entire text of the last movement of Steve’s most recent and remarkable piece, You Are Variations…
Search Results for:
David Becker
NYT Op-Ed Article
I didn’t like it.
School was over and I was sick of it, and I thought it was about time to go to work. I had gone straight from high school to college to graduate school, and I was pretty burned out. I had loved everything I had been doing in school, but as I got further along I became confused.
The paradox of a musical education is that the more sophisticated you become about how it all works, the further away you move from the things normal listeners actually hear…
continue readingNYT Opinionator Blog
It’s spring and baseball season is under way again — for me, always a welcome event. Lately, I’ve been thinking about the game and its history. Which reminded me of the recent passing of the baseball legend Duke Snider. And, surprisingly, that made me think of classical music. Honest! I grew up in the 1960s in Los Angeles, a die-hard fan of the Dodgers. I loved baseball, loved going to the games, but I identified with the team in other ways as well…
continue readingShelter CD in stores and online!!
It’s been a long time coming, but Shelter is finally here!
The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…
continue readingdeath speaks on NPR’s “First Listen”
Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.
Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.
“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…
continue reading‘whisper opera’ world premiere
David Lang’s newest work, the whisper opera, receives its world premiere on May 30 at the MCA in Chicago by the International Contemporary Ensemble with Tony Arnold as solo soprano.
This one-of-a-kind work is performed with the musicians, singer, and audience enclosed in an intimate, onstage set. Composed for flute, clarinet, percussion, cello, and solo soprano, the music and the environment work together to convey themes of secrets, and the tension between what we hide and what we choose to reveal…
continue reading‘man made’ world premiere
As part of Nico Muhly’s A Scream and an Outrage festival, The Barbican Centre features two premieres by David Lang.
On May 10, So Percussion and the BBC Symphony Orchestra, with conductor Jayce Ogren, give the world premiere of Lang’s concerto for percussion quartet and orchestra, man made. Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic…
continue readingLA Opera online premiere: ‘let me come in’
LA Opera releases the latest in their online series “On Now”: David Lang’s let me come in features soprano Angel Blue, with conductor Bryan Wagorn, violist David Creswell, cellist Anja Wood, and percussionist Miles Salerni.
Co-commissioned by LA Opera and the Fisher Center at Bard College, this online premiere of let me come in is accompanied by a new film by filmmaker Bill Morrison …
continue readingNYT Op-Ed Article
This weekend, David Lang wrote a fun article for the New York Times!
“…It’s like car mechanics talking about the wiring under the hood — good wiring is essential but cars exist because ordinary people need to get places. So I was feeling isolated from the audience, and itching to get back into the real world, where the real listeners live…”
‘death speaks’ premiere sells out Carnegie Hall!
In October 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion at Carnegie Hall. People in the audience that night knew they had heard something special. But this special? Only a few months later the piece won the Pulitzer Prize, then the recording on Harmonia Mundi won a Grammy, and the piece has gone on to become a hit around the world.
Carnegie Hall and Stanford Lively Arts bring back Theatre of Voices and the little match girl passion, along with the premiere of a major new work they have commissioned just for the occasion…
continue reading