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Composer-in-Residence at de Doelen in Rotterdam

David Lang is the composer-in-residence at Rotterdam’s de Doelen center, with 11 concerts featuring Lang’s music throughout the 2014/15 season:

Percussion HeavenResidentie Orchestra & So Percussion Sunday, November 30, 2014 at 20.15 VocaalLabthe little match girl passion Wednesday, December 17, 2014 at 20:30 Ensemble KlangKlang, Dance, Bang, Can Monday January 12, 2015 at 20.15 the whisper operaInternational Contemporary Ensemble, New York Monday, February 9, 2015 at 19:00 the whisper operaInternational Contemporary Ensemble, New York Monday, February 9, 2015 at 22:00 the whisper OperaInternational Contemporary Ensemble, New York Tuesday, February 10, 2015 at 19:00 the whisper OperaInternational Contemporary Ensemble, New York Tuesday, February 10, 2015 at 22:00 Ralph van RaatZappa’s Black Page Sunday, May 3, 2015 at 20:15 Anonymous4David Lang – love fail Tuesday, May 26, 2015 at 20:30 Anonymous4David Lang – love fail Wednesday, May 27, 2015 at 20:30 DoelenEnsembleDavid Lang – death speaks Friday, May 29, 2015 at 22:00

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    ‘death speaks’ premiere sells out Carnegie Hall!

    In October 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion at Carnegie Hall. People in the audience that night knew they had heard something special. But this special? Only a few months later the piece won the Pulitzer Prize, then the recording on Harmonia Mundi won a Grammy, and the piece has gone on to become a hit around the world.

    Carnegie Hall and Stanford Lively Arts bring back Theatre of Voices and the little match girl passion, along with the premiere of a major new work they have commissioned just for the occasion…

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    NY Times: David Lang’s ‘whisper opera’ Mines Truths From the Web

    Secrets Found Online, Shared Softly
    David Lang’s ‘whisper opera’ Mines Truths From the Web
    By WILLIAM ROBIN, August 2, 2013
    Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.

    Historically, though, opera tended to avoid confronting the technological head-on…

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    The Season of ‘the little match girl passion’

    Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passionhas quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world.

    This season over 50 performances of the little match girl passion are being given by ensembles throughout North America, Europe and Australia, including the return of Donald Nally’s The Crossing to New York City’s Metropolitan Museum of Art

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    David Lang curates New Music Dublin festival

    March 6 and 7, David Lang curates the 2015 New Music Dublin festival What?…Wow: David Lang’s Festival of Music.

    Lang’s festival spans six concerts over two days including the Irish premiere of his man made, performed by the RTÉ National Symphony Orchestra with New York-based quartet So Percussion; the Irish premiere of Julia Wolfe’s Appalachia-inspired Steel Hammer, performed by the Bang on a Can All-Stars with Norwegian vocal ensemble Trio Mediaeval; and the world premiere of Michael Gordon‘s new work for the Dublin Guitar Quartet

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    Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

    By David Lang
    http://www.themillions.com

    September 22, 2016

    In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser

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