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Simple Song #3 nominated for a 2016 Academy Award

David Lang’s Simple Song #3, written as part of the score for the film Youth by Paolo Sorrentino, has been nominated for a 2016 Oscar for Best Original Song.

http://oscar.go.com/nominees

Lang’s score for Youth represents the compositions written by the film’s protaganist (a classical composer and conductor toward the end of his career) and most importantly his Simple Song #3, an integral and recurring musical and cinematic theme…

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‘the public domain’ at Mostly Mozart Festival

On August 13, The Mostly Mozart Festival at Lincoln Center gives the world premiere of David Lang’s the public domain — a performance that not only welcomes the public as a free and open event, but will also be performed by the public. A piece inspired by the theme of the collective knowledge shared amongst us all, the new work is performed by 1,000 volunteer vocalists from throughout New York City, conducted by Simon Halsey, Choral Director of the London Symphony Orchestra…

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NYRB Review: ‘the loser’

Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…

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Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

By David Lang
http://www.themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser

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man made; NY premiere: Mostly Mozart Festival

August 1-2, conductor Louis Langrée with Sō Percussion and the Mostly Mozart Festival Orchestra, give the New York premiere of David Lang’s man made. In this percussion quartet concerto, Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic.

Watch a video about the concerto with Lang and So Percussion

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Seattle Symphony premieres new work

On February 8, in Benaryoa Hall, conductor Ludovic Morlot and the Seattle Symphony premiere David Lang’s first symphony: symphony without a hero, commissioned for the Seattle Symphony by the Lynn and Brian Grant Family. The 27-minute work is in one movement, with two related parts — two separate musical movements that are performed simultaneously: one heavy and oppressive and one light and hopeful. Lang explains that one doesn’t “really hear the light and hopeful music until the oppressive movement ends.”

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10 Years of ‘the little match girl passion’

On October 27, 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion in Carnegie Hall. The composition won Lang a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

Staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney, it has been performed over 400 times across 35 countries…

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