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LA Opera online premiere: ‘let me come in’
LA Opera releases the latest in their online series “On Now”: David Lang’s let me come in features soprano Angel Blue, with conductor Bryan Wagorn, violist David Creswell, cellist Anja Wood, and percussionist Miles Salerni.
Co-commissioned by LA Opera and the Fisher Center at Bard College, this online premiere of let me come in is accompanied by a new film by filmmaker Bill Morrison …
continue readingNYT Op-Ed Article
This weekend, David Lang wrote a fun article for the New York Times!
“…It’s like car mechanics talking about the wiring under the hood — good wiring is essential but cars exist because ordinary people need to get places. So I was feeling isolated from the audience, and itching to get back into the real world, where the real listeners live…”
‘death speaks’ premiere sells out Carnegie Hall!
In October 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion at Carnegie Hall. People in the audience that night knew they had heard something special. But this special? Only a few months later the piece won the Pulitzer Prize, then the recording on Harmonia Mundi won a Grammy, and the piece has gone on to become a hit around the world.
Carnegie Hall and Stanford Lively Arts bring back Theatre of Voices and the little match girl passion, along with the premiere of a major new work they have commissioned just for the occasion…
continue readingLang Piano Competition Concert!
After much anticipation….. On May 6, David Lang hosts the winners of his piano competion at (le) Poisson Rouge.
The winner, Peter Poston, performs his winning-version of Lang’s solo, wed; Andrew Zolinsky, who recorded Lang’s memory pieces recently on Cantaloupe; Zolinsky and Poston premiere a new work for piano-four-hands; and the runners-up premiere a new work for piano-six-hands.
This is a not-to-be-missed event!
‘the little match girl passion’ version for chorus receives German premiere
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Click to watch Paul Hillier conduct the little match girl passion (chamber version)
On Saturday September 15, Paul Hillier and Rundfunkchor Berlin give the German premiere of David Lang’s Pulitzer Prize-winning composition, the little match girl passion in its arrangement for full chorus.
the little match girl passion, the winner of the 2008 Pulitzer Prize in music is a 35-minute work for a quartet of singers each playing percussion instruments, co-commissioned by the Carnegie Hall Corporation and The Perth Theater and Concert Hall…
continue reading‘the difficulty of crossing a field’ at Nashville Opera
November 9-11, The Nashville Opera presents David Lang’s chamber opera the difficulty of crossing a field.
With this work, Lang and multi-Obie award-winning playwright Mac Wellman have created a radical cross between opera and theater mixing arias with spoken text, emotional melodies with intense drama, and featuring a string quartet as both the ‘orchestra’ and as part of the staging.
Based on a one-page short story by American satirist and abolitionist author,
continue readingWashington Post
Shelter CD in stores and online!!
It’s been a long time coming, but Shelter is finally here!
The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…
continue readingdeath speaks on NPR’s “First Listen”
Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.
Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.
“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…
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