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Columbus Ohio Discovery Ensemble

By David Lang
http://www.themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…

Lang’s newest work, love fail, premieres June 29 at the New Haven International Festival of Arts and Ideas. Performed by the legendary vocal ensemble Anonymous 4, love fail is an evening-length work that weaves together snippets of medieval courtly love narratives, short stories by MacArthur Fellow Lydia Davis, scraps from the libretto of Wagner’s opera Tristan and Isolde, and text by Lang himself.

Out of these sources, Lang has conjured a single story, in which two unnamed lovers meet each other, love each other, and lose each other—not necessarily in that order…

[video:http://youtu.be/lH-giL7c7Ts?t=1m8s width:250 height:250 align:center]
Click to watch Paul Hillier conduct the little match girl passion (chamber version)

On Saturday September 15, Paul Hillier and Rundfunkchor Berlin give the German premiere of David Lang’s Pulitzer Prize-winning composition, the little match girl passion in its arrangement for full chorus.

the little match girl passion, the winner of the 2008 Pulitzer Prize in music is a 35-minute work for a quartet of singers each playing percussion instruments, co-commissioned by the Carnegie Hall Corporation and The Perth Theater and Concert Hall…

Musical America, now in its third century as the indispensable resource for the performing arts, announced the winners of the annual Musical America Awards, recognizing artistic excellence and achievement in the arts.

The announcement coincides with the publication of the 2013 Musical America International Directory of the Performing Arts, which, in addition to its comprehensive industry listings, pays homage to each of these artists in its editorial pages.

The annual Musical America Awards, sponsored by Deutsche Grammophon will be presented in a special ceremony at Lincoln Center on Thursday, December 6…

DAVID LANG first heard Wagner’s “Tristan und Isolde” at the San Francisco Opera in 1974, as an undergraduate student and aspiring composer. This was the first opera ticket — standing room — that he had paid for with his own money, and he arrived well prepared, with a copy of the score and a flashlight to study it by.

“It was a really big deal for me,” Mr. Lang, now 55, said recently, sitting on a sofa in his light-flooded SoHo loft while two parakeets called noisily for attention from another room…

David Lang has been appointed as holder of the Richard and Barbara Debs Composer’s Chair for Carnegie Hall’s 2013–2014 season. Full details about the concert activities associated with his residency will be shared in late-January as part of Carnegie Hall’s full 2013–2014 season announcement. But we can reveal that a key element of his season-long appointment includes a special collaborative workshop in November 2013, offering commissioning opportunities for composers and chamber ensembles.

Creating New Music will invite several young composers and chamber ensembles to work together on the creation and performance of new works specially commissioned by Carnegie Hall…

A Haunting Tale, Perfect for Christmas
The Crossing in ‘The Little Match Girl Passion,’ at the Met

Tina Fineberg for The New York Times

Members of the Crossing, a choir of 24, at the Metropolitan Museum.

By ANTHONY TOMMASINI Published: December 24, 2012

At holiday time, the Metropolitan Museum of Art draws countless visitors to its Medieval Sculpture Garden to see the splendidChristmas tree and 18th-century Neapolitan crèche…

It’s been a long time coming, but Shelter is finally here!

The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…