news

‘death speaks’ CD released

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

Click to purchase the recording

In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

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news

NPR Music’s 25 Favorite Albums Of The Year (So Far)

NPR Music announced their 25 Favorite Albums of the Year (so far)… and David Lang’s ‘death speaks’ is on their list!

Here’s what they have to say about it:

You probably wouldn’t expect The National‘s Bryce Dessner and My Brightest Diamond‘s Shara Worden to work on a classically focused project inspired by Franz Schubert, but that’s exactly what happens within composer David Lang‘s amazing Death Speaks, which also features Nico Muhly playing piano and Owen Pallett on violin…

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news

Torino Vocal Ensemble Records ‘i lie’

Rome is the set for Torino Vocal Ensemble, as they record David’s piece ‘I lie’ for Paolo Sorrentino’s new film La Grande Bellezza, conducted by Carlo Boccadoro. The film’s soundtrack also includes David’s ‘world to come.’

Here’s a short clip of the group behind the scenes:

[video:http://www.youtube.com/watch?v=hSSqZug3B-E width:300]
interviews

The Wordless Music Series

June 1, 2008

The Wordless Music Series pairs rock and electronic musicians with more traditional chamber and new music performers, to create an entirely new concert experience.

Read more…

Episode One: Mihailova/Electrik Company/Do Make Say Think/Greenwood
Jad Abumrad hosts, joined by David Lang

[at 09:15min]

Listen here

writing

Jacob Druckman’s Horizons

January 1, 2000
Jacob Druckman’s Horizons an article for an unpublished Druckman memorial edition of Contemporary Music Review, (2000), Harold Meltzer, editor.   What we are celebrating with this festival is all the new music.   So wrote Jacob Druckman in the program booklet for Horizons ’84, The New Romanticism – A Broader View, the second festival of three that Druckman curated for the New York Philharmonic in 1983, 1984 and 1986.  The statement is not totally true – the Horizons Festivals were never supposed to be about all the new music…continue reading
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