writing

Slate.com

December 9, 2015

I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music

I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…

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writing

The Guardian UK

June 5, 2014
More than 20 years ago I was performing in London and staying at a friend’s flat near the Arsenal stadium. One day, between rehearsals, I decided to go and watch a match. I’m not a big football fan, and I was there alone, feeling lonesome and a bit miserable. But as the match began, an amazing thing happened. Everyone in the stadium started to sing, and I found myself in the middle of a giant 38,000-strong choir…continue reading
interviews

Salles des Departs

January 29, 2008

Imagine that you’re a composer. Imagine getting this commission: ”Please write us a song that will allow family members to face the death of a loved one…” Well, composer David Lang had to do just that when a hospital in Garches, France, asked him to write music for their morgue, or ”Salle Des Departs.”

What do you do? What should death sound like?

Producer Jocelyn Gonzales brings us this piece about David Lang and his commission for the ”Salle Des Departs.”

Listen here

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Bang on a Can All-Stars Premiere Field Recordings

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…

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news

Lang’s score “gorgeous” in Sorrentino’s film premiered at Cannes 2015.

Cannes Film Review: ‘Youth’

Variety Magazine

http://variety.com/2015/film/festivals/youth-review-cannes-michael-caine-paolo-sorrentino-1201501415/

Jay Weissberg

Cannes, France — In “The Great Beauty,” there’s a flashback in which a young Jep Gambardella recalls the promise of love — its loss, with the betrayal of youthful ideals, leads to Jep’s crushing self-contempt. It’s a tender moment in a film of deep cynicism, and now Paolo Sorrentino, with “Youth,” delivers his most tender film to date, an emotionally rich contemplation of life’s wisdom gained, lost and remembered — with cynicism harping from the sidelines, but as a wearied chord rather than a major motif…

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‘the loser’ premieres at Brooklyn Academy of Music

the loser September 7-11, 2016. Brooklyn Academy of Music. Gilman Opera House.

He appears to float in the nothingness. Confined to a tall tower 20 feet above the seats, he is alone, broken, and has a story to tell.

In this daringly staged one-act opera from Pulitzer Prize-winning composer David Lang—featuring mezzanine-only seating and based on the novel by Austrian writer Thomas Bernhard—a failed piano student (baritone Rod Gilfry, Anna Nicole, 2013 Next Wave) recounts a life lived in the shadows of his famous friend Glenn Gould…

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