On April 25-27, at the Garnisonskirken in Copenhagen, the Theatre of Voices with condutor Paul Hillier present music from the film The Great Beauty by director Paolo Sorrentino, featuring music by David Lang.

Lang’s i lie, wed, head hear, and Simple Song #3 (from Sorrentino’s YOUTH) will be performed alondside works by Arvo Pärt and Jóhann Jóhannson…

Recorded by Frode Andersen (accordion)
featuring Shara Nova (guest vocals on “I cross the field”)

The film premieres April 27 at the Moscow International Film Festival.

Soundtrack now streaming on all digital services

Conceived as a suite for a single accordion, David Lang’s soundtrack for the forthcoming Bill Morrison film (slated for theatrical release later this year via Kino Lorber) evokes a remarkable turn into folk traditions inspired by Russian storytelling…

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…

DAVID LANG first heard Wagner’s “Tristan und Isolde” at the San Francisco Opera in 1974, as an undergraduate student and aspiring composer. This was the first opera ticket — standing room — that he had paid for with his own money, and he arrived well prepared, with a copy of the score and a flashlight to study it by.

“It was a really big deal for me,” Mr. Lang, now 55, said recently, sitting on a sofa in his light-flooded SoHo loft while two parakeets called noisily for attention from another room…

From July 20 through August 22, 2013 Glimmerglass Opera in Cooperstown, NY stages 2 works by David Lang, directed by Francesca Zambello. His Pulitzer Prize-winning choral work, the little match girl passion and a new work, when we were children, commissioned specifically for this performance by Glimmerglass Opera.

August 10 – 13 Lincoln Center’s Mostly Mozart Festival and the International Contemporary Ensemble (Tony Arnold, soprano) present the New York premiere of David Lang’s the whisper opera for soprano and four instrumentalists, directed by Jim Findlay…

I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…