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Carnegie Hall

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

Click to purchase the recording

In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

[video:http://youtu.be/lH-giL7c7Ts?t=1m8s width:250 height:250 align:center]
Click to watch Paul Hillier conduct the little match girl passion (chamber version)

On Saturday September 15, Paul Hillier and Rundfunkchor Berlin give the German premiere of David Lang’s Pulitzer Prize-winning composition, the little match girl passion in its arrangement for full chorus.

the little match girl passion, the winner of the 2008 Pulitzer Prize in music is a 35-minute work for a quartet of singers each playing percussion instruments, co-commissioned by the Carnegie Hall Corporation and The Perth Theater and Concert Hall…

“[the writings] are enchanted unaccompanied choral pieces, jewel-like in their crystalline beauty and performed with just the right degree of gentle detachment by Cappella Amsterdam.”
— Andrew Clements, The Guardian

Conductor Daniel Reuss and Cappella Amsterdam’s premiere recording of David Lang’s a cappella cycle the writings is now available on Pentatone Records and all streaming services…

DAVID LANG first heard Wagner’s “Tristan und Isolde” at the San Francisco Opera in 1974, as an undergraduate student and aspiring composer. This was the first opera ticket — standing room — that he had paid for with his own money, and he arrived well prepared, with a copy of the score and a flashlight to study it by.

“It was a really big deal for me,” Mr. Lang, now 55, said recently, sitting on a sofa in his light-flooded SoHo loft while two parakeets called noisily for attention from another room…

On October 27, 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion in Carnegie Hall. The composition won Lang a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

Staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney, it has been performed over 400 times across 35 countries…

On October 13 the Nederlands Kamerkoor premieres the writings at the Muziekgebouw in Amsterdam. They perform the work in 5 additional Dutch cities through October 24 — click here for more details.

the writings — co-commissioned by Carnegie Hall for Paul Hillier and Theatre of Voices — combines some old and some new works into an hour-long piece:

·· again (after ecclesiastes)
·· if I am silent
·· for love is strong
·· where you go
·· solitary

You can click here to see the full score…

Cantaloupe Music releases a new recording of
David Lang’s 2008 Pulitzer Prize-winning work,
the little match girl passion,
on streaming, CD, and Limited Edition Vinyl LP

Since its premiere by Paul Hillier and Theatre of Voices at Carnegie Hall in 2007, David Lang’s the little match girl passion has been performed close to 600 times in over 40 countries…

Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.

Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.

“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…