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2013-2014 Carnegie Hall composer-in-residence

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http://www.carnegiehall.org/lang/

http://www.carnegiehall.org/Subscriptions/2013-2014-Season/David-Lang/

David Lang — Carnegie Hall’s 2013–2014 Richard and Barbara Debs Composer’s Chair — embodies the restless spirit of invention with his creation of new forms that defy categorization. The musically omnivorous creator references folk, pop, and jazz influences in his compositions, while at the same time being deeply rooted in the classical tradition.

His cultural openness also informs the performers with whom he collaborates…

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‘death speaks’ CD released

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

Click to purchase the recording

In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

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themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco.  The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold.  There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser

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Song of Song premiere with dance

From July 1-3 at Bard SummerScape David Lang and choreographer Pam Tanowitz premiere a new evening-length work, entitled Song of Songs. A hymn of yearning, steeped in images from the natural world, the dance was commissioned by The Fisher Center at Bard College, and the music was co-commissioned by The Fisher Center with LA Opera, The Company of Music (Austria), The Crossing (Philadelphia), and Flagey (Brussels). The program pairs Lang’s 2014 work just (after song of songs) with three vocal works composed and premiered over the past two years: let me come in, the sense of senses, and we were

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