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The Guardian UK

June 5, 2014
More than 20 years ago I was performing in London and staying at a friend’s flat near the Arsenal stadium. One day, between rehearsals, I decided to go and watch a match. I’m not a big football fan, and I was there alone, feeling lonesome and a bit miserable. But as the match began, an amazing thing happened. Everyone in the stadium started to sing, and I found myself in the middle of a giant 38,000-strong choir…continue reading
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The Season of ‘the little match girl passion’

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passionhas quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world.

This season over 50 performances of the little match girl passion are being given by ensembles throughout North America, Europe and Australia, including the return of Donald Nally’s The Crossing to New York City’s Metropolitan Museum of Art

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‘the difficulty of crossing a field’ at Nashville Opera

November 9-11, The Nashville Opera presents David Lang’s chamber opera the difficulty of crossing a field.

With this work, Lang and multi-Obie award-winning playwright Mac Wellman have created a radical cross between opera and theater mixing arias with spoken text, emotional melodies with intense drama, and featuring a string quartet as both the ‘orchestra’ and as part of the staging.

Based on a one-page short story by American satirist and abolitionist author,

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‘man made’ world premiere

[video:http://www.youtube.com/watch?v=EPIrFPbAUz4 width:300 height:300]

As part of Nico Muhly’s A Scream and an Outrage festival, The Barbican Centre features two premieres by David Lang.

On May 10, So Percussion and the BBC Symphony Orchestra, with conductor Jayce Ogren, give the world premiere of Lang’s concerto for percussion quartet and orchestra, man made. Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic…

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