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The Guardian UK has listed David Lang’s the little match girl passion as one of the top 25 works of classical music written in the 21st Century. The composition received a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

the little match girl passion has been staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney…

In October 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion at Carnegie Hall. People in the audience that night knew they had heard something special. But this special? Only a few months later the piece won the Pulitzer Prize, then the recording on Harmonia Mundi won a Grammy, and the piece has gone on to become a hit around the world.

Carnegie Hall and Stanford Lively Arts bring back Theatre of Voices and the little match girl passion, along with the premiere of a major new work they have commissioned just for the occasion…

http://www.carnegiehall.org/lang/

http://www.carnegiehall.org/Subscriptions/2013-2014-Season/David-Lang/

David Lang — Carnegie Hall’s 2013–2014 Richard and Barbara Debs Composer’s Chair — embodies the restless spirit of invention with his creation of new forms that defy categorization. The musically omnivorous creator references folk, pop, and jazz influences in his compositions, while at the same time being deeply rooted in the classical tradition.

His cultural openness also informs the performers with whom he collaborates…

Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.

Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.

“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…

As part of Nico Muhly’s A Scream and an Outrage festival, The Barbican Centre features two premieres by David Lang.

On May 10, So Percussion and the BBC Symphony Orchestra, with conductor Jayce Ogren, give the world premiere of Lang’s concerto for percussion quartet and orchestra, man made. Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic…

“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”

Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.

Click to purchase the recording

In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…

click for a free download of Lang’s most recent choral work,
when we were children — a setting of a text from Saint Paul

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passion has quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world…

I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…