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love fail (2012) 60'

Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)

SSAA playing simple percussion instruments

love fail was co-commissioned by The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Secrest Artists Series at Wake Forest University, and Hancher Performances at the University of Iowa. Movement 4, 'the wood and the vine', was commissioned by The Newman Center for the Performing Arts at University of Denver, The University of California at Riverside, and the Santa Fe Concert Association in Santa FE, NM. Movement 10, 'I live in pain', in a different version, was originally written for “TheCrossing,” Donald Nally, conductor.

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works
works

love fail – arr. female chorus (2012, rev. 2016) 60'

Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)

SSAA chorus (or 8 solo women singers) playing simple percussion instruments

The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Wake Forest University / Secrest Artists Series, and Hancher Performances at the University of Iowa

Program Note Libretto Recordings rent music score preview More Info

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interviews

BOMB Magazine

David Lang by Nico Muhly
December 1, 2012

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David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…

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news

David Lang Profile in New York Times

DAVID LANG first heard Wagner’s “Tristan und Isolde” at the San Francisco Opera in 1974, as an undergraduate student and aspiring composer. This was the first opera ticket — standing room — that he had paid for with his own money, and he arrived well prepared, with a copy of the score and a flashlight to study it by.

“It was a really big deal for me,” Mr. Lang, now 55, said recently, sitting on a sofa in his light-flooded SoHo loft while two parakeets called noisily for attention from another room…

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