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The Season of ‘the little match girl passion’

Since winning the Pulitzer Prize in 2008, David Lang’s the little match girl passionhas quickly joined the repertoire as a chamber work, a staged production, a work for full chorus, and a featured event on Christmas and Easter concerts around the world.

This season over 50 performances of the little match girl passion are being given by ensembles throughout North America, Europe and Australia, including the return of Donald Nally’s The Crossing to New York City’s Metropolitan Museum of Art

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10 Years of ‘the little match girl passion’

On October 27, 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion in Carnegie Hall. The composition won Lang a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

Staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney, it has been performed over 400 times across 35 countries…

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‘the little match girl passion’: Best of 21st Century

The Guardian UK has listed David Lang’s the little match girl passion as one of the top 25 works of classical music written in the 21st Century. The composition received a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

the little match girl passion has been staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney…

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First Person: Pulitzer Prize winning composer David Lang on the original Jewish love story

October 12, 2023

I wouldn’t say that I am super religious, but I am definitely religion-curious. It is a big part of my family background, and, to be honest, a big part of the history of my chosen field, Western classical music. For the past 1000 years, the church has been the most powerful commissioner of Western music, and its most active employer of musicians.

Because of this, much of our foundational repertoire is explicitly on the subject of how music helps a listener get in the mood for a religious experience…

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Jacob Druckman’s Horizons

January 1, 2000
Jacob Druckman’s Horizons an article for an unpublished Druckman memorial edition of Contemporary Music Review, (2000), Harold Meltzer, editor.   What we are celebrating with this festival is all the new music.   So wrote Jacob Druckman in the program booklet for Horizons ’84, The New Romanticism – A Broader View, the second festival of three that Druckman curated for the New York Philharmonic in 1983, 1984 and 1986.  The statement is not totally true – the Horizons Festivals were never supposed to be about all the new music…continue reading