In 1987, David Lang was a 30-year-old composer and doctoral student who, with his Yale buddies Michael Gordon and Julia Wolfe, founded Bang on a Can, a scruffy organization dedicated to the proposition that all musics are created equal. These days, Lang is an eminence: Pulitzer Prize winner, member of the Yale faculty, and composer in residence at Carnegie Hall for 2013-14. Justin Davidson talked with him midway through “collected stories,” a six-concert festival he curated at Carnegie’s Zankel Hall, and days before the release of his recordinglove/fail…
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Bang On A Can
Bang on a Can All-Stars: Cheating, Lying, Stealing
‘Bang on a Can’ Showcases Inventive Classical Music
For the past several years, classical music composers have gathered to share their more eclectic scores at the ‘Bang on a Can’ festival in North Adams, Mass. Jeffrey Brown explores the origins of the event.
Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera
By David Lang
http://www.themillions.com
September 22, 2016
In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…
continue readingThursday, February 27, 2014
‘these broken wings’ performed by Bang on a Can Institute in Moscow
Moscow, Russia