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Kirch'Klang Festival

Lang’s newest work, love fail, premieres June 29 at the New Haven International Festival of Arts and Ideas. Performed by the legendary vocal ensemble Anonymous 4, love fail is an evening-length work that weaves together snippets of medieval courtly love narratives, short stories by MacArthur Fellow Lydia Davis, scraps from the libretto of Wagner’s opera Tristan and Isolde, and text by Lang himself.

Out of these sources, Lang has conjured a single story, in which two unnamed lovers meet each other, love each other, and lose each other—not necessarily in that order…

Recorded by Frode Andersen (accordion)
featuring Shara Nova (guest vocals on “I cross the field”)

The film premieres April 27 at the Moscow International Film Festival.

Soundtrack now streaming on all digital services

Conceived as a suite for a single accordion, David Lang’s soundtrack for the forthcoming Bill Morrison film (slated for theatrical release later this year via Kino Lorber) evokes a remarkable turn into folk traditions inspired by Russian storytelling…

LA Opera releases the latest in their online series “On Now”: David Lang’s let me come in features soprano Angel Blue, with conductor Bryan Wagorn, violist David Creswell, cellist Anja Wood, and percussionist Miles Salerni.

Co-commissioned by LA Opera and the Fisher Center at Bard College, this online premiere of let me come in is accompanied by a new film by filmmaker Bill Morrison  …

On October 13 the Nederlands Kamerkoor premieres the writings at the Muziekgebouw in Amsterdam. They perform the work in 5 additional Dutch cities through October 24 — click here for more details.

the writings — co-commissioned by Carnegie Hall for Paul Hillier and Theatre of Voices — combines some old and some new works into an hour-long piece:

·· again (after ecclesiastes)
·· if I am silent
·· for love is strong
·· where you go
·· solitary

You can click here to see the full score…

From October 13-15 Choir Days at Flagey in Brussels features David Lang’s music throughout the festival, including the Belgium premiere of Lang’s we were (co-commissioned by Flagey) performed by Vox Clamantis with conductor Jaan-Eik Tulve.

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…