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Conservatory of Music in Salerno Italy
Reexamining opera, one classic at a time
Eighth Blackbird premieres ‘composition as explanation’
February 25-26, Eighth Blackbird premieres David Lang’s composition as explanation at Duke Performances. The new work is a nod to Gertrude Stein’s candid and circular 1926 lecture. Lang integrates composition and innovative aspects of theater, performance, and choreography. To create actors out of Eighth Blackbird, Lang sought out director Anne Bogart, co-artistic director of SITI Company. With Bogart at the helm, Lang envisions a new kind of musical artist, one with the formal training of actors on stage…
continue readingDavid Lang receives Duke Foundation grant
David Lang is among 20 of America’s most vital artists working in the fields of contemporary dance, jazz and theatre announced by the Doris Duke Charitable Foundation (DDCF) as recipients of the 2013 Doris Duke Artist Awards.
The grantees include: • Anthony Braxton (Middletown, CT (New York, NY)• Billy Childs (Los Angeles, CA)• Ping Chong (New York, NY)• Kelly Copper (New York, NY)• Lisa D’Amour (New Orleans, LA and New York, NY)• DD Dorvillier (New York, NY and Paris, France)• Amir ElSaffar (New York, NY)• David Gordon (New York, NY)• Pat Graney (Seattle, WA)• Stacy Klein (Ashfield, MA)• David Lang (New York, NY)• Pavol Liska (New York, NY)• Rudresh Mahanthappa (Montclair, NJ)• John Malpede (Los Angeles, CA)• Miya Masaoka (Berkeley, CA and New York, NY)• Myra Melford (Berkeley, CA)• Tere O’Connor (Champaign, IL and New York, NY)• William Parker (New York, NY)• Elizabeth Streb (Brooklyn, NY)• Jawole Willa Jo Zollar (Tallahassee, FL and Brooklyn, NY)
Building the Waiting Room: An Interview with David Lang
By Galen H. Brown
On November 3rd, I sat down with David Lang at a cafe in Downtown Manhattan. I recorded the interview (on my iPod) intending to transcribe it, but the audio, while still marred by a lot of background noise, is actually listenable. (…)
Steve Reich MacDowell Colony Medal Day Speech
I want to begin this speech with a little aphorism translated from the Hebrew: ”Say little, and do much.” This is from an early book of the Talmud called Sayings of the Fathers. I wish I could say that I learned it from my own Hebrew studies, but I
can’t. I learned it from Steve Reich. This little phrase — say little and do much — is the entire text of the last movement of Steve’s most recent and remarkable piece, You Are Variations…
Contacts
G. Ricordi & Co., New York
Universal Music Classics and Screen
p: (+1) 346.402.6887
Commissioning, Residencies, and Appearances
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Publicity (press inquiries, interviews, etc.)
Amanda Ameer, publicist
First Chair Promotion
Obtaining Scores or other performance materials
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Licensing
Rights for film, TV or streaming video
To license any of David Lang’s pre-existing music for synchronization:
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For bespoke music for film/television, please write:
Andrew Zack (Gorfaine Schwartz Agency)
Rights for dance and other staged works
Please click here and choose “Offices and Agents” tab…
continue readingLang “Talks to Paulie”
Listen to an interview with Paul Lazar.
David describes the epiphany he had at nine years old that lead to his life as a composer. He and Paul have a fun, freewheeling conversation amidst excerpts of David’s music, with a little Steve Reich thrown in as well.
http://www.bboxradio.com/archive/talk-to-paulie/1202-talk-to-paulie.html
‘the public domain’…. an outstanding success: NY Times, NPR and more!
On August 13, David Lang’s the public domain was given its world premiere at Lincoln Center’s Mostly Mozart Festival.
Read a selection of reviews of the performance, plus video of the show from the NY Times:
click here for New York Times review.
video from NY Times livestream:
NPR review:
Seattle Symphony premieres new work
On February 8, in Benaryoa Hall, conductor Ludovic Morlot and the Seattle Symphony premiere David Lang’s first symphony: symphony without a hero, commissioned for the Seattle Symphony by the Lynn and Brian Grant Family. The 27-minute work is in one movement, with two related parts — two separate musical movements that are performed simultaneously: one heavy and oppressive and one light and hopeful. Lang explains that one doesn’t “really hear the light and hopeful music until the oppressive movement ends.”
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