From January 7-14, the Prototype Festival presents the New York premiere of David Lang’s anatomy theater, co-produced by Beth Morrison Projects, with set design by Mark Dion, direction by Bob McGrath, conductor Christopher Rountree and the International Contemporary Ensemble, plus Bill Morrison (video), Laurie Olinder (projection), Christopher Kuhl (lighting), and Alixandra Gage Englund (costumes).

Based on actual 18th-century texts, anatomy theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers…

On October 27, 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion in Carnegie Hall. The composition won Lang a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

Staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney, it has been performed over 400 times across 35 countries…

Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…

Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.

Historically, though, opera tended to avoid confronting the technological head-on…