David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…

interviews

David Lang Wants to Be More Superficial

wonderingsound.com

May 20, 2014

By Justin Davidson

In 1987, David Lang was a 30-year-old composer and doctoral student who, with his Yale buddies Michael Gordon and Julia Wolfe, founded Bang on a Can, a scruffy organization dedicated to the proposition that all musics are created equal. These days, Lang is an eminence: Pulitzer Prize winner, member of the Yale faculty, and composer in residence at Carnegie Hall for 2013-14. Justin Davidson talked with him midway through “collected stories,” a six-concert festival he curated at Carnegie’s Zankel Hall, and days before the release of his recordinglove/fail…

news

Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

By David Lang
http://www.themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…

writing

Slate.com

The Film Music That Changed My Life

December 9, 2015

I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music.

I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…

news

NY Times: David Lang’s ‘whisper opera’ Mines Truths From the Web

Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.

Historically, though, opera tended to avoid confronting the technological head-on…

news

‘the difficulty of crossing a field’ CD released June 9

Hi! David Lang here. I am very excited that today is the world premiere CD release of my opera the difficulty of crossing a field. It is my most favorite piece that I have ever written, ever. I mean it. I am so happy about this CD.

Please click here to listen to the CD (password: Crossing2015) and here to buy the CD or the download!…

writing

themillions.com

Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

September 22, 2016