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The Mount Holyoke College Chamber Singers
face so pale (1992) 9'
6 pianos
Piano Circus
if I sing (after psalm 101) (2017) 4'
Text by David Lang
chamber choir or 8 solo voices, ssaattbb
Nederlands Kamerkoor
string of pearls (2006) 9'
solo marimba
a marimba consortium (Thomas Burritt and the University of Texas Percussion Program, Michael Burritt, David Cossin, Joseph Gramley, Eduardo Leandro, Todd Meehan, William Moersch, Doug Perkins, Steven Schick, Adam Sliwinski, Robert Van Sice)
memory pieces (1992) 30'
piano solo
cheating, lying, stealing – arr. band (2011) 12'
2+picc, 2, 3+Eb+bcl,3 / 2 alto sax, ten sax, bari sax / 4,3,2+btbn,euphonium, 1 / piano, 4 perc, string bass
Bowling Green State University
cello (1997) 5'
piano solo
An Opera for the City, an Opera for the Self: the mile long opera
Jacob Druckman’s Horizons
First Person: Pulitzer Prize winning composer David Lang on the original Jewish love story
I wouldn’t say that I am super religious, but I am definitely religion-curious. It is a big part of my family background, and, to be honest, a big part of the history of my chosen field, Western classical music. For the past 1000 years, the church has been the most powerful commissioner of Western music, and its most active employer of musicians.
Because of this, much of our foundational repertoire is explicitly on the subject of how music helps a listener get in the mood for a religious experience…
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