I didn’t like it.
School was over and I was sick of it, and I thought it was about time to go to work. I had gone straight from high school to college to graduate school, and I was pretty burned out. I had loved everything I had been doing in school, but as I got further along I became confused.
The paradox of a musical education is that the more sophisticated you become about how it all works, the further away you move from the things normal listeners actually hear…
continue readingI have worked with So Percussion for a very long time now and I know them really well. When I got the opportunity to write a concerto for them I wanted to make it specifically for them, for the things that they have been concentrating on for the past few years. The are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?…
continue readingwatch a featurette on Lang’s music in Youth.
David Lang’s Simple Song #3, written for Paolo Sorrentino’s film Youth, has been nominated for a 2016 Golden Globe for Best Original Song.
Lang’s score for Youth represents the compositions written by the film’s protaganist (a classical composer and conductor toward the end of his career) and most importantly his Simple Song #3, an integral and recurring musical and cinematic theme…
continue readingLang’s newest work, love fail, premieres June 29 at the New Haven International Festival of Arts and Ideas. Performed by the legendary vocal ensemble Anonymous 4, love fail is an evening-length work that weaves together snippets of medieval courtly love narratives, short stories by MacArthur Fellow Lydia Davis, scraps from the libretto of Wagner’s opera Tristan and Isolde, and text by Lang himself.
Out of these sources, Lang has conjured a single story, in which two unnamed lovers meet each other, love each other, and lose each other—not necessarily in that order…
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