From July 1-3 at Bard SummerScape David Lang and choreographer Pam Tanowitz premiere a new evening-length work, entitled Song of Songs. A hymn of yearning, steeped in images from the natural world, the dance was commissioned by The Fisher Center at Bard College, and the music was co-commissioned by The Fisher Center with LA Opera, The Company of Music (Austria), The Crossing (Philadelphia), and Flagey (Brussels). The program pairs Lang’s 2014 work just (after song of songs) with three vocal works composed and premiered over the past two years: let me come in, the sense of senses, and we were…
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Calvin College
NYRB Review: ‘the loser’
Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…
continue reading‘just (after song of songs)’ on The xx ‘Lips’
Now featured on the international bestselling album I See You by British band The xx.
Listen to Lang’s original work here
See the UK premiere at the Royal College of Music
Perform just (after song of songs) with your ensemble!
NYT Op-Ed Article
I didn’t like it.
School was over and I was sick of it, and I thought it was about time to go to work. I had gone straight from high school to college to graduate school, and I was pretty burned out. I had loved everything I had been doing in school, but as I got further along I became confused.
The paradox of a musical education is that the more sophisticated you become about how it all works, the further away you move from the things normal listeners actually hear…
continue readingFirst Person: Pulitzer Prize winning composer David Lang on the original Jewish love story
I wouldn’t say that I am super religious, but I am definitely religion-curious. It is a big part of my family background, and, to be honest, a big part of the history of my chosen field, Western classical music. For the past 1000 years, the church has been the most powerful commissioner of Western music, and its most active employer of musicians.
Because of this, much of our foundational repertoire is explicitly on the subject of how music helps a listener get in the mood for a religious experience…
continue readingNYT Opinionator Blog
It’s spring and baseball season is under way again — for me, always a welcome event. Lately, I’ve been thinking about the game and its history. Which reminded me of the recent passing of the baseball legend Duke Snider. And, surprisingly, that made me think of classical music. Honest! I grew up in the 1960s in Los Angeles, a die-hard fan of the Dodgers. I loved baseball, loved going to the games, but I identified with the team in other ways as well…
continue readingJacob Druckman’s Horizons
Slate.com
I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music.
I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…
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