It’s been a long time coming, but Shelter is finally here!
The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…
continue readingAugust 1-2, conductor Louis Langrée with Sō Percussion and the Mostly Mozart Festival Orchestra, give the New York premiere of David Lang’s man made. In this percussion quartet concerto, Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic.
Watch a video about the concerto with Lang and So Percussion…
continue readingAs part of the 2013/2014 Debs Chair composer-in-residence at Carnegie Hall, David Lang has curated an amazing series of concerts to focus on the art of storytelling in music. From April 22-29, Carnegie Hall presents: Collected Stories
Lang comments on the mini-festival:
Music and storytelling began their lives together—music to accompany heroic tales, music to worship by, music to suggest the emotions running deep below the surface of a text…
continue readingI have worked with So Percussion for a very long time now and I know them really well. When I got the opportunity to write a concerto for them I wanted to make it specifically for them, for the things that they have been concentrating on for the past few years. The are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?…
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David Lang, ‘again (after ecclesiastes)’
June 14, 2022 10:35 AM ET
Tom Huizenga
David Lang‘s again (after ecclesiastes) opens with sections of the Cappella Amsterdam choir, from high to low, interlacing on the phrase “People come and people go / The earth goes on and on.” The words are from Ecclesiastes, a curious book of The Old Testament that reads more like a philosophical argument than a rousing validation of belief…
continue readinghttp://www.carnegiehall.org/lang/
http://www.carnegiehall.org/Subscriptions/2013-2014-Season/David-Lang/
David Lang — Carnegie Hall’s 2013–2014 Richard and Barbara Debs Composer’s Chair — embodies the restless spirit of invention with his creation of new forms that defy categorization. The musically omnivorous creator references folk, pop, and jazz influences in his compositions, while at the same time being deeply rooted in the classical tradition.
His cultural openness also informs the performers with whom he collaborates…
continue readingOn Sunday June 8 David Lang has premieres of two large scale works, in two different countries.
the national anthems for SATB chorus and string quartet, text in English by David Lang, 23′
At Disney Hall in Los Angeles, California, Grant Gershon conducts the Los Angeles Master Chorale with the Calder Quartet in the premiere of the national anthems, a co-commission with the Berlin Radio Chorus…
continue readingI didn’t like it.
School was over and I was sick of it, and I thought it was about time to go to work. I had gone straight from high school to college to graduate school, and I was pretty burned out. I had loved everything I had been doing in school, but as I got further along I became confused.
The paradox of a musical education is that the more sophisticated you become about how it all works, the further away you move from the things normal listeners actually hear…
continue readingRecorded by Frode Andersen (accordion)
featuring Shara Nova (guest vocals on “I cross the field”)
The film premieres April 27 at the Moscow International Film Festival.
Soundtrack now streaming on all digital services
Conceived as a suite for a single accordion, David Lang’s soundtrack for the forthcoming Bill Morrison film (slated for theatrical release later this year via Kino Lorber) evokes a remarkable turn into folk traditions inspired by Russian storytelling…
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