News – David Lang

world premiere: prisoner of the state

March 6, 2018

This season, the New York Philharmonic concludes their three-week-long Music of Conscience initiative, as well as their subscription season, with the world premiere of David Lang’s opera prisoner of the state on June 6–8, 2019, conducted by their new Music Director Jaap van Zweden. Co-commissioned by the New York Philharmonic, Rotterdam’s de Doelen Concert Hall, London’s Barbican Centre, Barcelona’s l’Auditori, Bochum Symphony Orchestra, and Bruges’s Concertgebouw, prisoner of the state is the story of a woman who disguises herself as a prison guard to rescue her husband from unjust political imprisonment…

symphony without a hero: Feb 8 & 10, Seattle Symph

January 12, 2018

I became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…

Björk releases “mixtape” with two Lang tracks!

November 20, 2017

Listen to a “mixtape” produced by Björk that includes two excerpts by David Lang! death speaks and sweet air! enjoy!

10 Years of ‘the little match girl passion’

October 27, 2017

On October 27, 2007 Paul Hillier and Theatre of Voices premiered David Lang’s the little match girl passion in Carnegie Hall. The composition won Lang a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.

Staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney, it has been performed over 400 times across 35 countries…

Seattle Symphony premieres new work

October 5, 2017

On February 8, in Benaryoa Hall, conductor Ludovic Morlot and the Seattle Symphony premiere David Lang’s first symphony: symphony without a hero, commissioned for the Seattle Symphony by the Lynn and Brian Grant Family. The 27-minute work is in one movement, with two related parts — two separate musical movements that are performed simultaneously: one heavy and oppressive and one light and hopeful. Lang explains that one doesn’t “really hear the light and hopeful music until the oppressive movement ends.”

man made; NY premiere: Mostly Mozart Festival

August 1, 2017

August 1-2, conductor Louis Langrée with Sō Percussion and the Mostly Mozart Festival Orchestra, give the New York premiere of David Lang’s man made. In this percussion quartet concerto, Lang combines found percussion (sticks, pipes, metal trash) with orchestral instruments in a unique and incredibly compelling work commissioned by the Barbican Centre and the Los Angeles Philharmonic.

Watch a video about the concerto with Lang and So Percussion…

Theatre of Voices: Music from ‘The Great Beauty’

April 17, 2017

On April 25-27, at the Garnisonskirken in Copenhagen, the Theatre of Voices with condutor Paul Hillier present music from the film The Great Beauty by director Paolo Sorrentino, featuring music by David Lang.

Lang’s i lie, wed, head hear, and Simple Song #3 (from Sorrentino’s YOUTH) will be performed alondside works by Arvo Pärt and Jóhann Jóhannson…

‘just (after song of songs)’ on The xx ‘Lips’

January 23, 2017

just (after song of songs)

Now featured on the international bestselling album I See You by British band The xx.

Listen to The xx here

Listen to Lang’s original work here

See the UK premiere at the Royal College of Music

Perform just (after song of songs) with your ensemble!

‘anatomy theater’ New York premiere

January 4, 2017

From January 7-14, the Prototype Festival presents the New York premiere of David Lang’s anatomy theater, co-produced by Beth Morrison Projects, with set design by Mark Dion, direction by Bob McGrath, conductor Christopher Rountree and the International Contemporary Ensemble, plus Bill Morrison (video), Laurie Olinder (projection), Christopher Kuhl (lighting), and Alixandra Gage Englund (costumes).

Based on actual 18th-century texts, anatomy theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers…

Setting a Rant to Music: On Adapting Thomas Bernhard’s ‘The Loser’ for the Opera

September 29, 2016

By David Lang
http://www.themillions.com

September 22, 2016

In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…