LA Opera releases the latest in their online series “On Now”: David Lang’s let me come in features soprano Angel Blue, with conductor Bryan Wagorn, violist David Creswell, cellist Anja Wood, and percussionist Miles Salerni.
Co-commissioned by LA Opera and the Fisher Center at Bard College, this online premiere of let me come in is accompanied by a new film by filmmaker Bill Morrison …
Read MoreRecorded by Frode Andersen (accordion)
featuring Shara Nova (guest vocals on “I cross the field”)
The film premieres April 27 at the Moscow International Film Festival.
Soundtrack now streaming on all digital services
Conceived as a suite for a single accordion, David Lang’s soundtrack for the forthcoming Bill Morrison film (slated for theatrical release later this year via Kino Lorber) evokes a remarkable turn into folk traditions inspired by Russian storytelling…
Read MoreAfter its acclaimed world premiere in June 2019 with the New York Philharmonic, David Lang’s fully-staged opera, prisoner of the state, directed by Elkhanah Pulitzer, begins a European premiere tour 11 January at the Barbican Centre in London with the BBC Symphony Orchestra, BBC Singers and conductor Ilan Volkov.
prisoner of the state was co-commissioned by the New York Philharmonic, Rotterdam’s De Doelen, London’s Barbican Centre, Barcelona’s l’Auditori, Germany’s Bochum Symphony Orchestra, Belgium’s Concertgebouw Bruges and Sweden’s Malmö Opera…
Read MoreRevisiting Beethoven
By Anne Midgette
Classical music critic
Dec. 10, 2019
People often ask: Why can’t we update old operas for our time? With “Prisoner of the State,” David Lang has done just that. He remakes Beethoven’s only opera, “Fidelio,” a problem child of the repertory, into a new work that hews to the original in form while underscoring its relevance to today’s society…
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The Guardian UK has listed David Lang’s the little match girl passion as one of the top 25 works of classical music written in the 21st Century. The composition received a Pulitzer Prize, the recording won a Grammy Award, and the score has since become one of the most performed new works in the world.
the little match girl passion has been staged by Glimmerglass Opera and Portland Opera, choreographed by the Paris Opera Ballet and the Royal Swedish Ballet, with theatrical productions in Moscow, London, Edinburgh, and Sydney…
Read MoreJune 6-8, 2019, music director Jaap van Zweden and the New York Philharmonic gave the world premiere of David Lang’s new, fully-staged opera, prisoner of the state, directed by Elkhanah Pulitzer.
Click here to watch arias from prisoner of the state
Read MoreDavid Lang’s true pearl: an opera in five tapestries (with libretto by Sybil Kempson), is inspired by Isabella Stewart Gardner’s sixteenth-century tapestries that tell the story of the first king of Persia, Cyrus the Great. The five-part “in-ear opera” is a private experience, available only through headphones in the Museum’s Tapestry Room. The “stage set” for each scene is an individual tapestry from the Cyrus series, and listeners are immediately immersed into tales of empire building and passion…
Read MoreFor six consecutive nights — October 3-8, 2018 — 1,000 singers from across New York City come together on the High Line (NYC’s mile-long elevated linear park) for the world premiere of the mile-long opera — conceived by architects Diller Scofidio + Renfro and David Lang, with music by Lang, text by Anne Carson and Claudia Rankine, and staging by directors Elizabeth Diller and Lynsey Peisinger…
Read MoreThis season, the New York Philharmonic concludes their three-week-long Music of Conscience initiative, as well as their subscription season, with the world premiere of David Lang’s opera prisoner of the state on June 6–8, 2019, conducted by their new Music Director Jaap van Zweden. Co-commissioned by the New York Philharmonic, Rotterdam’s de Doelen Concert Hall, London’s Barbican Centre, Barcelona’s l’Auditori, Bochum Symphony Orchestra, and Bruges’s Concertgebouw, prisoner of the state is the story of a woman who disguises herself as a prison guard to rescue her husband from unjust political imprisonment…
Read MoreI became a composer because, when I was nine years old, I saw a movie of Leonard Bernstein conducting Shostakovich’s First Symphony with the New York Philharmonic. I fell in love immediately with the music of Shostakovich, with the idea of being a composer, with the orchestra itself. I was so in love with Shostakovich, in fact, that I immersed myself in his music, and then all Russian music, then I studied the Russian language in school, I read all the Russian literature I could find, and I spent the summer of 1975 studying in the Soviet Union…
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