David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…
In 1987, David Lang was a 30-year-old composer and doctoral student who, with his Yale buddies Michael Gordon and Julia Wolfe, founded Bang on a Can, a scruffy organization dedicated to the proposition that all musics are created equal. These days, Lang is an eminence: Pulitzer Prize winner, member of the Yale faculty, and composer in residence at Carnegie Hall for 2013-14. Justin Davidson talked with him midway through “collected stories,” a six-concert festival he curated at Carnegie’s Zankel Hall, and days before the release of his recordinglove/fail…
Jacob Druckman’s Horizons
an article for an unpublished Druckman memorial edition of Contemporary Music Review, (2000), Harold Meltzer, editor.
What we are celebrating with this festival is all the new music.
So wrote Jacob Druckman in the program booklet for Horizons ’84, The New Romanticism – A Broader View, the second festival of three that Druckman curated for the New York Philharmonic in 1983, 1984 and 1986. The statement is not totally true – the Horizons Festivals were never supposed to be about all the new music…continue reading
Oral History of American Music (OHAM) is the only ongoing project in the field of music dedicated to the collection and preservation of oral and video memoirs in the voices of the creative musicians of our century.
I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music.
I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…